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Kind Of Blue

Kind Of Blue

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Each is extremely personal and at the same time, universal; covering subjects topical, humorous, and soulful; from the satirical to the sublime.

Each side with two charactor codes; 1H on side 1, 1D on side 2, which also has “ALL BLUES” as track 2 and the scratched in “TA”.No doubt it was corrected at some point, but not during six-eye era, the later CBS over-print, Guaranteed High Fidelity/two-eye 360º Sound, nor Columbia all-round. I haven’t managed to figure out which plants had possession of which cuttings, or if that matters, still a lot of unknowns. Following the alternate take, there are “studio sequences” (ranging from 11 seconds to nearly two minutes) for every one of the five titles, and one “false start” (for “Freddie Freeloader”). It is regarded by many critics as the greatest jazz record, Davis's masterpiece, and considered to be one of the best albums of all time. Miles Davis and Gil Evans bridged styles and collaborated on high-concept projects three different times during their celebrated careers.

I have a standard cd, a hi res copy and a Japanese cd all 3 have some kind of annoying distortion in different parts of the saxophone. IPS / Dolby SR analog remix master to DSD 256 to analog console to lathe Seven Steps to Heaven arrived at a crucial junction in Miles Davis' career. Long held as the jazz album that even non-jazz fans will own, 'Kind Of Blue' not only changed the way people regarded Miles, it changed the very face of music itself.Without doubt in my mind, the original version sounds the most natural and dynamic, albeit a “< Semitone” out in pitch. Like the Adderly misprint, sellers often talk it up as though something significant has been being found, like a rare penny black stamp misprint, worth millions! The album features Davis's ensemble sextet consisting of saxophonists John Coltrane and Julian 'Cannonball' Adderley, pia Kind of Blue also benefited from Miles’ being signed to the leading major record company of the day — Columbia Records, a part of the CBS media conglomerate. Miles Davis’ trumpet sits centre stage, John Coltrane’s tenor sax is to the left and Julian Adderley’s alto sax is to the right.

And then Adderley solos, on the left, his slightly smaller horn having a marginally less deeply resonant colour. We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records — LPs; high-end turntables, and other stereo components).Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley with Wyton Kelly playing piano on 'Freddy the Freeloader. In the end, I find that listening to different versions of an album to see which one has what SQ tends to alienate me from immersion in the mood and tone of the music. This does not include any data we are obliged to keep for administrative, legal, or security purposes. Or by affirming that, every year, it sells tens of thousands of copies more than five decades after its original release. LJC: so 1G and 1H would be the 2nd cut from Santa Maria) “That way they could easily keep track of how many replacements were needed for each plant.

  • Fruugo ID: 258392218-563234582
  • EAN: 764486781913
  • Sold by: Fruugo

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